2.567 file audio bebas royalti untuk "Symphony No. 6 (beethoven)"

Adagio-Thema des ersten Satzes aus Beethovens Opus 109

Passage aus der sechsten Variation des dritten Satzes aus Beethovens Opus 109

Vivace aus Beethovens op. 79 und Reduktion nach Alfred Rosenberg

Variation 1 aus dem dritten Satz von Beethovens Klaviersonate Opus 109

Variation 3 des dritten Satzes aus Beethovens Klaviersonate Opus 109

Ausschnit (sul una corda) aus dem zweiten Satz von Beethovens Opus 109

Beethoven Piano Sonata Op 109, 2nd movement, bars 97-112

Beethoven String Quartet 3 opening

Piano Sonata Op. 57, third movement bars 20-27

Ludwig van Beethoven - Concerto for Piano and Orchestra no. 4 in G major - 1. Allegro moderato (Wilhelm Kempff, Ferdinand Leitner, Berliner Philharmoniker, 1962)

Beethoven Quartet Op. 127 first movement, bars 135-9

Beethoven Piano Concerto 4 slow movement, bars 47-55

Beethoven Piano Sonata Op 27 No. 2, first movement opening bars

Concerto for Piano and Orchestra no. 4 in G major - 2. andante con moto (Wilhelm Kempff, Ferdinand Leitner, Berliner Philharmoniker, 1962)

Beethoven, Symphony No. 3, first movement, bars 123-131

Ludwig van Beethoven - Concerto for Piano and Orchestra no. 4 in G major - 3. Rondo (Wilhelm Kempff, Ferdinand Leitner, Berliner Philharmoniker, 1962)

Beethoven, Symphony No. 3, first movement, bars 23-37

1st release date: January 1942 1st recording date: 9 May 1940 Place of recording: Carnegie Hall (Studio), New York City (United States) Author(s)/Composer(s): Johannes Brahms (1833-1897) Performer(s): Piano: Vladimir Horowitz (1903-1989) and the NBC Symphony Orchestra Vocal range: instrumental Title/Work: Piano Concerto No. 2 in B-flat major, Op. 83 Content: 4th movement (Conclusion): Allegretto grazioso Genre(s): Piano concert

1st release date: January 1942 1st recording date: 9 May 1940 Place of recording: Carnegie Hall (Studio), New York City (United States) Author(s)/Composer(s): Johannes Brahms (1833-1897) Performer(s): Piano: Vladimir Horowitz (1903-1989) and the NBC Symphony Orchestra Vocal range: instrumental Title/Work: Piano Concerto No. 2 in B-flat major, Op. 83 Content: 4th movement (Part 2): Allegretto grazioso Genre(s): Piano concert

John Philip Sousa's "Old Ironsides" (1926) as performed by the United States Marine Band. Track 104 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "March of the Mitten Men" (1923) as performed by the United States Marine Band. Track 97 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Dauntless Battalion" (1922) as performed by the United States Marine Band. Track 96 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Old Ironsides" (1926) as performed by the United States Marine Band. Track 104 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Black Horse Troop" (1924) as performed by the United States Marine Band. Track 100 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Dauntless Battalion" (1922) as performed by the United States Marine Band. Track 96 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Ancient and Honorable Artillery Company" (1924) as performed by the United States Marine Band. Track 99 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Marquette University March" (1924) as performed by the United States Marine Band. Track 101 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

*6 steps in 19 equal temperament on C = E♮ (Easley Blackwood's notation). Equal-tempered: 26/19:1 = 378.95 cents. MIDI pitch bend: 34,57 Created in Sibelius with midi pitch bend on 89 for 378.125 cents rather than 378.96. New version a m3 on 33,89 for 378.9306640625 cents rather than 378.96.

*6 steps in 15 equal temperament on C = E♮ (Easley Blackwood's notation). Equal-tempered: 26/15=2/5:1 = 480 cents. MIDI pitch bend: 76,89 on a M3

John Philip Sousa's "The National Game" (1925) as performed by the United States Marine Band. Track 102 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Marquette University March" (1924) as performed by the United States Marine Band. Track 101 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Ancient and Honorable Artillery Company" (1924) as performed by the United States Marine Band. Track 99 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "March of the Mitten Men" (1923) as performed by the United States Marine Band. Track 97 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

Goin' Home (Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": II. Largo) performed by the Concert Band of the United States Air Force Band. Track 21 from Heritage to Horizons (2007). Previously published as track 52 from Esprit de Corps (1997).

Cadenza from Beethoven's Concerto in C minor, piano part.

Anfang des zweiten Satzes aus Beethovens Opus 109

Example of the submediant ("triad on VI") used as a dominant preparation.

Label: His Master's Voice Cat. no.: DB 10083 Order number: OZA 12665 Matrix/StamperID: OZA1265-1 1st release date: 1945? 1st recording date: 1945? Place of recording: Switzerland Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Performer(s): Suzanne Gyr, Piano (1899-1974) Vocal range: Instrumental Title/Work: Piano sonata No. 23 in F minor, Op. 57 'Appassionata' Content: Allegro ma non troppo (Part 1) Genre(s): Piano sonata

*6 steps in 7-et on C. Equal-tempered: 26/7:1 = 1028.57 cents. MIDI pitch bend: 18,73

Title/Work: Sonata No.18 in E-flat major Opus 31 No.3 Content: No.3: 2nd Movement (1st part) - Scherzo (Allegro vivace) Genre(s): Piano sonata Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): none Lyricist(s): none Performer(s): Pianoforte solo: Claudio Arrau (1903-1991) Conductor: none Place of recording: London, EMI Studio No. 3, Abbey Road 1st release date: 1947 1st recording date: 10 January 1947

Title/Work: Sonata No.18 in E-flat major Opus 31 No.3 Content: No.4: 2nd Movement (Conclusion) - Scherzo (Allegro vivace) Genre(s): Piano sonata Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): none Lyricist(s): none Performer(s): Pianoforte solo: Claudio Arrau (1903-1991) Conductor: none Place of recording: London, EMI Studio No. 3, Abbey Road 1st release date: 1947 1st recording date: 10 January 1947

Piano Sonata No. 10, 3rd movement, allegretto.

First theme of Mozart's Sonata in C Major, K. 309, measures 1-20.

Phrase group of three four bar phrases in Mozart's Piano Sonata in F, K. 332, first movement.

Start of second subject (D major) of Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 13–16.

Leading-tone seventh chord often serves a dominant function. This example is from Mozart's K. 283 III, mm. 64-69.

Typical example of horn fifths from the finale of Beethoven's 9th Symphony

Beethoven Piano Sonata Op 22, 2nd movement, bars 30-32

Grosse Fuge Opus 133 by Ludwig von Beethoven, recorded by the Lener Quartet in 1919. First published recording of this piece. Jenö Léner (or Lehner), first violin, Joszef Smilovits second violin, Sándor Roth viola and Imre Hartmann cello. Recorded on the Columbia label (in 78 RPM format).

Fifth Symphony, opening, known as the "fate" motif.